Pianist / Composer / Arranger / Conductor / Educator
Described as “one of the finest modern composer/arrangers of our time” by Downbeat Magazine, Mike Holober’s latest release, Mike Holober & The Gotham Jazz Orchestra: Hiding Out (ZOHO Music, 2019) was nominated for a 2020 GRAMMY® Award (Best Large Jazz Ensemble Album), and features two multi-movement suites inspired by the natural world: Hiding Out, which was commissioned by the Philadelphia Museum of Art (funded by the Pew Foundation), and Flow, which was commissioned by the Westchester Jazz Orchestra (funded by a NYSCA Individual Artists Grant).
The release of Hiding Out comes after a decade working with some of the worlds most renowned large ensembles. From 2007-2013 he served as Artistic Director/Conductor of the Westchester Jazz Orchestra (WJO), and from 2011-2015 he was Associate Guest Conductor of the hr-Big Band (Hessischer Rundfunk - Frankfurt, Germany). With WJO he has written and conducted for Joe Lovano, Kate McGarry, John Scofield, John Patitucci, Randy Brecker, and Paquito D’Rivera. Projects for the hr-Big Band include arranging and conducting concert length projects for Kurt Rosenwinkel, Billy Cobham, Jane Monheit, Terje Rypdal, Dr. Lonnie Smith, Miguel Zenon, and a concert of the works of Frank Zappa for the 2015 Frankfurt Jazz festival. With the WDR Big Band (WestDeutsche Rundfunk - Cologne, Germany) he has written and conducted projects for Avishai Cohen and Eli Degibri, and for legendary drummer Al Foster. Other projects include arrangements for a concert featuring Eli Degibri with jazz orchestra and strings, which was performed at the National Opera House in Tel Aviv in 2014, as well as arrangements for a WDR concert featuring Joshua Redman, and a work for the Stockholm Jazz Orchestra’s recent recording. He has also written multiple works for OJM (Portugal) and pianist Fred Hersch.
Mike is a 2017-18 recipient of a Chamber Music America New Jazz Works Grant for Don’t Let Go, a song-cycle in the tradition of Robert Schumann, Samuel Barber, and Ralph Vaughn-Williams, which was premiered at Symphony Space (the Leonard Nimoy Thalia) in June 2018. Don’t Let Go was written for Mike’s jazz octet Balancing Act, whose eponymous premiere recording was released in 2015 (Palmetto). The recording features Mike’s original compositions and lyrics, with Kate McGarry, Dick Oatts, Jason Rigby, Marvin Stamm, Mark Patterson, John Hebert, and Brian Blade.
In 2017 Mike was named the inaugural Stuart Z. Katz Professor in the Humanities and the Arts at The City College of New York for This Rock We’re On: Imaginary Letters, an extended work in the form of an oratorio for jazz orchestra, voice, cello, and percussion. This in-progress work celebrates explorers, conservationists, writers, and photographers whose lives have been inspired by the natural world.
Mike can be heard as a sideman on over 70 recordings, and he has performed with/had his works performed and recorded by The Vanguard Jazz Orchestra, The Scottish National Jazz Orchestra, Zagreb JazzOrkestar, The Gotham Wind Symphony (where he is Composer-In-Residence), UMO, RTV Big Band Slovenia, The Airmen of Note, The Army Blues, The Tim Ries Rolling Stones Project, John Patitucci, Jason Rigby, Marvin Stamm, The Prism, American, and NY Saxophone Quartets, and many others.
Mike is a Full Professor at The City College of New York, and has enjoyed multiple artist residencies at The MacDowell Colony, The Brush Creek Foundation for the Arts, The Ucross Foundation, and Yaddo. He also teaches composing and arranging at The Manhattan School of Music, and from 2007 - 2015 he served as Associate Director of the BMI Jazz Composer’s Workshop, (founded by legendary jazz composers Bob Brookmeyer and Manny Albam), where he taught with Director Jim McNeely.
Much of Mike’s music is inspired by the natural world, and by champions of that world. When he’s not at his beloved 1909 Steinway model C, he can be found somewhere on the trail.
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biography (Long Version)
Pianist / Composer / Arranger / Conductor / Educator
Trained as a classical pianist and conductor, Mike Holober began his apprenticeship as a jazz pianist and composer after moving to New York City in 1986. He has released 6 recordings as a leader, and can be heard on over 70 recordings as a sideman. He has also served as a producer and conductor for several recordings.
Mike’s projects include Mike Holober & Balancing Act, an octet with voice, The Gotham Jazz Orchestra, and The Mike Holober Quintet. He also regularly performs in duo settings with artists such as trumpeter Marvin Stamm and tenor saxophonist Jason Rigby.
Mike was a 2017-18 recipient of a Chamber Music America New Jazz Works Grant for Mike Holober & Balancing Act, whose eponymous premiere recording was released on Palmetto Records in 2015. The recording received a 4-star review from Downbeat Magazine and appeared on many best-of lists for 2015. Balancing Act features Kate McGarry, Dick Oatts, Jason Rigby, Marvin Stamm, Mark Patterson, John Hebert, and Brian Blade.
Mike’s Chamber Music America commission, titled Don’t Let Go, was premiered at Symphony Space (the Leonard Nimoy Thalia) in June 2018, and is structured as a song-cycle in the tradition of Robert Schumann, Samuel Barber, and Ralph Vaughn-Williams. Don’t Let Go explores the nuances and complexities of the concept of hope in the context of current social, political, and environmental realities.
After a busy period of writing and arranging for some of the world’s most renowned large ensembles, Mike has returned to the helm of his own stellar big band, The Gotham Jazz Orchestra (GoJO), with a new recording titled Mike Holober and the Gotham Jazz Orchestra: Hiding Out (ZOHO, 2019). This double CD features two two major extended form compositions: Hiding Out, commissioned for The Gotham Jazz Orchestra by The Philadelphia Museum of Art (funded by the Pew Foundation) and Flow, commissioned by The Westchester Jazz Orchestra (funded by a NYSCA Individual Artist’s Grant). The recording also includes "Jumble," commissioned by The U.S. Army Jazz Knights of West Point, and an arrangement of Jobim’s "Caminhos Cruzados," a WJO commission written to feature trumpet master Marvin Stamm. Other featured artists on Hiding Out include Billy Drewes, Jason Rigby, Scott Wendholt, Adam Kolker, Jon Gordon, Steve Cardenas, and Jesse Lewis.
The Gotham Jazz Orchestra’s two previous recordings, Thought Trains (2005, Sons of Sound Records) and Quake (2009, Sunnyside Records) both received 4-star reviews in Downbeat Magazine and were listed as one of the magazine’s outstanding CDs of that year. The quintet’s recordings, Canyon and Wish List (2003/2007, Sons of Sound Records) feature Tim Ries on saxophone, Brian Blade on drums, Wolfgang Muthspiel on guitar, and Scott Colley and John Patitucci on bass. Upcoming projects include In The Wind for piano trio with 7 winds, guitar, harmonica, and voice, and This Rock We’re On: Imaginary Letters -- an extended work in the form of an oratorio for jazz orchestra, voice, cello, and percussion. The work celebrates explorers, conservationists, writers, and photographers whose lives have been inspired by the natural world.
Mike’s work as a composer and arranger has earned him a reputation as one of the jazz scene’s most respected jazz composers and arrangers. From 2007 - 2015 he was Associate Director of the BMI Jazz Composer’s Workshop, where he taught with Director Jim McNeely. The brainchild of founding directors Bob Brookmeyer and Manny Albam, The BMI Jazz Composers Workshop is widely considered the finishing school for jazz orchestra writers, and the international jazz scene is heavily populated by composers who have honed their craft under the tutelage of the workshop’s directors.
From 2007 – 2013 Mike served as Artistic Director/Conductor of the Westchester Jazz Orchestra (WJO), a non-profit organization that performed a regular program of newly commissioned works each concert season. During his tenure Mike commissioned over 140 new works for jazz orchestra, making the organization one of the leading producers of new jazz works. With WJO Mike wrote and conducted for Joe Lovano, Kate McGarry, Janis Siegal, John Scofield, John Patitucci, Randy Brecker, and Paquito D’Rivera. WJO’s 2011 recording Maiden Voyage Suite, a reworking of the Herbie Hancock masterpiece, was on multiple best-of lists with Downbeat Magazine calling it “nearly perfect.” Mike served as conductor, artistic director, and lead arranger for this project.
Mike has also worked extensively overseas. From 2011 – 2015 he was Associate Guest Conductor of the hr-Bigband (Hessischer Rundfunk - Frankfurt, Germany), and he has served as guest conductor of the WDR Big Band (WestDeutsche Rundfunk - Cologne, Germany), as well as The Zagreb Jazz Orkestar, The Stockholm Jazz Orchestra and many others.
Projects with the hr-Bigband include writing and conducting for Kurt Rosenwinkel, Billy Cobham, Jane Monheit, Terje Rypdal, Dr. Lonnie Smith, Miguel Zenon, and a suite based on the works of Frank Zappa entitled Jazz From Hell, which was performed at the Frankfurt Jazz Festival in 2015. With the WDR Big Band he has written and conducted projects for Avishai Cohen/Eli Degibri and for legendary drummer Al Foster. He has also written works for WDR with Joshua Redman, and miscellaneous other works for the band.
Mike has also recently written a project for tenor saxophonist Eli Degibri with jazz orchestra and strings which was produced at the Israeli Opera House in Tel Aviv and is due for release as a DVD. Other recent writing projects include a work for the Stockholm Jazz Orchestra recording Today, arrangements for the RTV Big Band in Slovenia, and multiple arrangements for pianist Fred Hersch.
Additionally Mike’s arrangements and compositions have been performed and/or recorded by UMO (Helsinki, Finland), RTV Big Band (Ljubljana, Slovenia), The Vanguard Jazz Orchestra, The Scottish National Jazz Orchestra, Zagreb JazzOrkestar, The Airmen Of Note, The Army Blues, The US Army Jazz Knights, Prism Saxophone Quartet, New York Saxophone Quartet, American Saxophone Quartet, The Catskill Symphony Orchestra, The Schenectady Symphony Orchestra, The Minnesota Jazz Orchestra, and many New York City based small jazz groups. His works are also programmed regularly world-wide by student groups at The Eastman School of Music, The Manhattan School of Music Jazz, Innsbruck Music Conservatory (Austria), The University of Michigan, University of Northern Colorado, The University of Colorado, The University of Toronto, Indiana University, Ball State University, The University of Vermont, Bowling Green State University, James Madison University, Lawrence University, Kunstuniversität Graz (KUG, Graz, Austria), MIT, and independent student groups such as Jazz Band Classic (NY Youth Symphony), and The Saarland Youth Jazz Orchestra (Germany), among many others.
Mike can be heard as a sideman on over 70 recordings. He has recorded and performed with The Tim Ries Rolling Stones Project, Nick Brignola, Jason Rigby, Dave Pietro, The NewYorkestra, Pete McGuinness, Charles Pillow, The Tony Kadleck Jazz Orchestra, and alongside fellow sidemen such as John Abercrombie, Tim Hagans, Randy Brecker, Peter Erskine, and others. Mike is also called on regularly both as producer and conductor for various recording projects. Additionally he has performed with artists such as Tim Ries, John Patitucci, Marvin Stamm, Ben Kono, Rufus Reid, Cameron Brown, Andrew Sterman, J. P. Jofre, Scott Wendholt, Mark Patterson, Scott Reeves, and with jazz orchestras led by John Fedchock, Scott Reeves, Alan Ferber, Tony Kadleck, Asuka Kakitani, Anita Brown, Javier Arau, and Andrew Rathbun, in addition to The Vanguard Jazz Orchestra and the Stockholm Jazz Orchestra.
In 2005 Mike toured Venezuela as a Cultural Connect Envoy for the U. S. State Department, playing concerts of his original works for jazz quintet and orchestra with symphonies in Merida, Maracaibo, Caracas, and Valencia. He has been active as a composer in the contemporary classical idiom with commissions for various chamber works and he is currently composer in residence of the Gotham Wind Symphony (2004-present). GWS is a 45-member wind ensemble made up of classical, commercial, and jazz musicians from the NYC music world. Mike has written a commissioned work for each of their four recordings, also serving as pianist.
A Full Professor at The City College of NY (1995-present), Mike directs jazz ensembles and teaches courses in jazz composition and arranging, and a rhythm section seminar. At City College he was recently endowed as the inaugural Stuart Z. Katz Professor of Humanities and the Arts (2017-2018).
Mike is a member of the distinguished Steinway Artists roster. He is a five-time MacDowell Fellow, Ucross Foundation Fellow, and Corporation of Yaddo Guest. In November 2019 he will be in residence at the Brush Creek Center for the Arts. He also teaches composing and arranging at The Manhattan School of Music, and has taught for the Thelonious Monk Institute of Jazz. He has enjoyed residencies at Universities throughout the U.S. and Europe including Indiana University, University of Toronto, University of Michigan, Kunstuniversität Graz, and many others.
Much of Mike’s music is inspired by the natural world and by champions of that world. An avid outdoorsman, he has hiked and climbed many of the major ranges in the United States and Europe. He belongs to many environmental organizations and has twice been employed as a trip leader, taking clients hiking and skiing in the northeast or canoeing and backpacking in the north woods of the Midwest. When he is not at his beloved 1909 Steinway model ‘C’ he can be found somewhere on the trail.